Chapter 1
The Boy Who Built Houses Out of Bicycles
I used to think happiness was loud.
Not loud like shouting. Not the kind of loud that made your shoulders climb toward your ears or made you listen for footsteps outside your door.
I mean real loud.
The kind of loud that came from boys running barefoot down a dirt road with paint buckets swinging from their hands. The kind that came from dogs barking at nothing, motorbikes coughing smoke into the afternoon, aunties laughing from plastic chairs outside small shops, and my friends yelling my name like the whole village belonged to us.
“Abe! Hurry up!”
“I’m coming!”
“You always say that!”
“Because you’re always too early!”
Back then, I thought the world was made of heat, rice fields, temple bells, and bad ideas.
I grew up in the countryside of Thailand, far enough from Bangkok that the city felt like another country. The road outside my grandmother’s house was cracked and dusty in the dry season, muddy and dramatic in the rainy season. Everyone knew everyone, which meant everyone also knew your business before you did.
If I ran past the noodle shop with paint on my shirt, someone would shout, “Abe! What did you destroy today?”
If I climbed a tree too high, someone would yell, “Your grandma will beat you!”
If I walked beside a girl, the whole village would somehow know by dinner.
That was home.
Annoying. Hot. Nosy. Alive.
I was a skinny kid with black wavy hair that never listened, skin that made strangers pause before deciding what I was, and eyes my grandmother said were “too busy.”
“You are always thinking something,” she told me once, squinting at me from her chair.
“I’m not.”
“Yes, you are.”
“I’m just standing.”
“Your face is planning a crime.”
She was right most of the time.
My grandmother, Mae Noi, had a body that didn’t obey her the way it used to. One side of her was weaker. Her hand trembled when she lifted a cup. Some mornings, she could walk around the house with her cane, muttering complaints at the floor like it had personally offended her.
Other mornings, she sat still for a long time, pretending she was only resting.
I knew the difference.
Children know more than adults think.
When she had bad days, I brought her medicine. I carried bowls of rice to her chair. I helped her stand when she tried to act like she didn’t need help.
“Don’t pull me like I’m a sack of rice,” she snapped once.
“Then don’t fall like one.”
Her eyes widened.
For one second, I thought I was dead.
Then she laughed.
It came out rough and sudden, like an old engine starting. I laughed too, mostly because I was relieved she hadn’t thrown something at me.
Mae Noi was disabled, but she was not soft. If pity came near her, she attacked it.
“Don’t look at me like that,” she would say.
“Like what?”
“Like I am already gone.”
“I don’t.”
“Your face is loud.”
So I learned to smile.
Even when I was scared.
Especially when I was scared.
My mother worked abroad. That was how everyone said it, like it explained everything.
Your mother works abroad.
Your mother sends money.
Your mother is busy.
Be good for your grandmother.
So I was good.
Mostly.
My father was somewhere in Europe. He existed in photographs, rumors, and the kind of silence adults used when they didn’t want children asking questions.
I saw a photo of him once. He was standing beside a shiny car, wearing clean clothes, smiling like the world had always opened doors for him. There was a glass of something expensive in his hand. Behind him was a building that looked too perfect to be real.
I remember staring at the picture and thinking, So that’s where he is.
Not dead.
Not lost.
Just elsewhere.
That was worse in a way I didn’t understand yet.
As a child, I didn’t have the language for abandonment. I only had questions.
Does he think about me?
Would he know my voice?
If I saw him, would I call him Dad?
Would he answer?
I didn’t ask those questions out loud. Grandma’s face changed whenever his name came near a conversation. The village aunties lowered their voices. My mother, during her calls, moved past the topic like stepping over broken glass.
So I learned not to ask.
Instead, I built things.
Badly.
Building things was easier than understanding people.
Behind Grandma’s house, there was a tree that leaned over a patch of dry ground. To me, it was not a tree. It was real estate. Strategic high ground. Future headquarters.
I gathered my friends one afternoon and announced, “We’re building a tree house.”
Niran stared at the tree.
“With what money?”
“Money is not important.”
“It is important for wood.”
“We will find wood.”
“Where?”
I pointed vaguely toward the village.
“Everywhere.”
That was how most of my projects began: confidence first, details later.
We stole — no, borrowed — scrap wood from behind a half-finished house. We found bent nails, rope, old plastic sheets, and one hammer with a handle that felt loose enough to kill someone. We worked for three days under the sun, sweating like workers on a real construction site, arguing constantly.
“Hold it straight!”
“I am holding it straight!”
“No, you’re holding it stupid!”
“You hold it then!”
The tree house came out crooked. One side leaned downward like it had lost hope. The ladder had gaps. The roof leaked. Whenever more than three of us climbed inside, the whole structure made a sound that suggested it was reconsidering its existence.
To me, it was perfect.
From up there, we could see over the fields. We could see rooftops, temple trees, smoke from cooking fires, and motorbikes moving along the road like insects. We sat in that dangerous little box eating snacks and discussing our futures with the seriousness of kings.
Niran wanted to own a hotel.
Lek wanted to become a singer, even though his voice made dogs uncomfortable.
Chai said he would join the army because uniforms made men look important.
“What about you, Abe?” they asked.
I looked out at the fields.
“I’m going to build something nobody has ever seen before.”
Everyone groaned.
That usually meant they would have to help.
My greatest invention came during a hot season so brutal the road shimmered like it was melting.
I found an old metal trailer frame behind a neighbor’s shed. It had two wheels, rust everywhere, and no clear purpose. Naturally, I decided it was the foundation of a mobile house.
Not a toy.
A real mobile house.
Powered by a bicycle.
This made sense in my head.
People paid for houses. People paid for vehicles. If I combined both, I had basically solved poverty.
I explained this to my friends.
They looked concerned.
“You want us to sit inside a house pulled by a bicycle?” Niran asked.
“Yes.”
“Who rides the bicycle?”
“Me.”
“Why you?”
“Because I invented it.”
“That makes me trust it less.”
But they helped anyway, because childhood friendship is mostly loyalty to stupid ideas.
We built the walls out of cardboard and thin wood. The roof was a plastic sheet tied down with rope. The door opened only if you kicked it near the bottom. I drew windows on the side with black marker because actual windows required technology beyond our budget.
When it was done, I stood in front of it with my hands on my hips.
“Gentlemen,” I said, “the future.”
Lek poked the wall. It bent inward.
“The future is weak.”
“The future is light-weight.”
They climbed into the trailer house while I sat on the bicycle seat at the front. I gripped the handlebars like a pilot. The sun burned my neck. My heart pounded with excitement.
For a few glorious seconds, it moved.
The wheels turned. The trailer creaked. My friends cheered.
I pedaled harder.
Then the left side dipped.
Someone screamed.
The whole trailer tilted, dragged sideways, and collapsed into a ditch with a sound like a dying cabinet.
For a moment, there was silence.
Dust floated around us.
My knee hurt. My bicycle was half on top of me. Someone’s foot stuck out from the wreckage.
Then I raised one finger and said, “Prototype one has failed.”
They laughed so hard the auntie from the noodle shop came outside to see if someone had died.
That was the best part of childhood.
Failure didn’t feel final yet.
A broken trailer was funny. A crooked tree house was charming. A tiger painted badly on a wall could become a rare dog-eyed tiger if I said it with enough confidence.
We painted many walls.
Abandoned buildings were our canvas. We carried buckets of cheap paint and brushes with stiff bristles, marching like artists with no permission and no fear of consequences.
I painted dragons with uneven teeth. Heroes with swords too large for their arms. English words I didn’t fully understand because they looked cool. Once, I painted myself standing on top of a tiger, holding a sword above my head.
Niran studied it for a long time.
“The tiger looks like a dog.”
I threw a brush at him.
“It’s not a dog!”
“It has dog eyes.”
“It’s a tiger from Europe.”
“You don’t know Europe.”
“My father is there.”
The words came out before I thought about them.
Everyone went quiet for half a second.
Then Lek said, “European tigers are probably rich.”
We laughed, and the strange feeling passed.
But not completely.
That was how my father existed in my childhood. Not as a man. As a sentence that accidentally escaped.
My father is in Europe.
My father has money.
My father is not here.
Whenever that thought got too close, I ran faster, climbed higher, painted bigger, invented something worse.
Movement was easier than sadness.
There was an old graveyard near the edge of the village, half-swallowed by weeds and trees.
Adults told us not to go there, which meant we went often.
We pretended we were brave.
We were not.
The grave markers leaned at strange angles. Some names had faded. Small offerings sat in front of certain graves. The air felt cooler there, even in the afternoon. Birds moved suddenly in the branches and made us jump every time.
“Touch that one,” Chai whispered, pointing at the oldest grave.
“You touch it.”
“I dared you.”
“I reject the dare.”
“That’s illegal.”
“What law?”
“Graveyard law.”
Once, Niran claimed that if you stepped on a grave, the spirit would follow you home and sit on your chest while you slept.
“That’s not true,” I said.
“How do you know?”
“Because ghosts have better things to do.”
“Like what?”
I didn’t know.
“Ghost business.”
We crept between the stones, daring each other to go farther. Then a bird exploded out of a tree above us and all five of us screamed like little children, which we were, and ran all the way back to the road.
Niran lost one sandal.
For weeks, we claimed a ghost had taken it as payment.
I liked the graveyard, even though it scared me. Maybe because it made the world feel bigger. It reminded me that everyone had a story before they became a name on stone. Everyone had loved someone, lost someone, wanted something, feared something.
I didn’t think of it that clearly back then.
Back then, I only thought: I wonder who they were.
Maybe that was the beginning of me becoming someone who carried ghosts.
The temple was different.
The temple did not feel haunted. It felt still.
On holy days, Grandma made me wash properly, wear decent clothes, and stop moving like “a monkey with a fever.” We brought offerings. I carried what she couldn’t. She walked slowly with her cane, refusing help until she needed it, then insulting me when I gave it.
At the temple, incense smoke curled through warm air. Monks moved quietly in orange robes.
Bells rang softly. Stray cats slept wherever they pleased, as if enlightenment belonged to them first.
I didn’t understand everything.
But I understood peace.
At the temple, nobody asked about my father. Nobody asked why my mother was abroad.
Nobody looked at Grandma with pity unless they wanted to risk being cursed under her breath.
And then there was Mali.
She was my age, with sharp eyes and a calm face that made me nervous because it looked like she could see every stupid thought before I said it. She came to the temple with her family and wore a bracelet with tiny beads around her wrist.
The first time she spoke to me, I was balancing a stick on my finger.
“You’re bad at that,” she said.
The stick fell immediately.
“I wasn’t trying.”
“That makes it worse.”
I hated her for three seconds.
Then I wanted her to talk to me again.
I started showing her things, which was my childish way of saying please like me.
I showed her the tree house.
She looked up at it and said, “Do you want to die?”
“It’s stronger than it looks.”
“It looks dead.”
I showed her my wall paintings.
She pointed at the tiger.
“Why does it look like a dog?”
I almost walked into traffic.
Eventually, I stopped trying to impress her and started telling her the truth.
That surprised me.
The truth was not something I gave away easily, even as a child. But Mali had a way of listening without grabbing at my words. She didn’t gasp at the sad parts. She didn’t turn them into gossip.
She didn’t say empty things like “don’t think too much.”
She just sat beside me under the temple trees and let me speak.
I told her about Grandma’s bad days.
I told her about my mother’s calls from far away.
I told her about the photo of my father in Europe, standing beside a car that looked cleaner than anything in our village.
“Do you miss him?” she asked.
I picked at the dirt with a stick.
“I don’t know him.”
“That’s not what I asked.”
I hated that she noticed the difference.
“I think,” I said slowly, “I miss the idea of him.”
Mali didn’t answer right away.
Then she said, “That sounds lonely.”
I laughed because I didn’t know what else to do.
“Maybe.”
Inside, something whispered, Yes.
One evening after prayers, the sky turned purple behind the temple roof. The air smelled like incense, rain, and fried garlic from somewhere down the road. Mali and I walked near the wall where moss grew between cracks.
My heart started acting stupid.
Say it.
No.
Say it.
Absolutely not.
If you don’t say it now, you’ll never say it.
Good.
We walked in silence for a few steps.
Then my mouth betrayed me.
“I think I like you.”
Mali turned her head.
I immediately wanted to become a tree.
“I mean, I know I like you,” I said quickly. “Not think. I know. Unless that is weird. Then maybe I think. But I do. Like you. I mean.”
She stared.
My soul left my body.
Then she smiled.
“You talk too much when you’re scared.”
“I’m not scared.”
“You screamed in the graveyard.”
“That was strategy.”
She laughed.
I loved her right then.
Not in the adult way. Not in the heavy way. In the childhood way, where love feels like sunlight hitting your face and you don’t yet know sunlight can disappear.
After that, we became something like a couple.
Nobody officially said it. There was no ceremony. No dramatic confession under fireworks. We just started walking together more. Sitting together more. Sharing snacks. Talking after temple visits while our families pretended not to notice.
The village noticed, of course.
The village noticed everything.
Aunties smiled too much. Boys teased me. Grandma asked why I suddenly cared about combing my hair.
“I always comb my hair.”
“You always fight your hair and lose.”
Mali and I talked about the future like children do, without understanding that the future has teeth.
She wanted to see Bangkok.
I wanted to see the world.
“Even Europe?” she asked once.
I looked away.
“Maybe.”
She didn’t push.
That was another thing I loved about her.
She knew some doors opened only from the inside.
Back then, I believed happiness could survive if I remembered it hard enough.
I believed Grandma would always be in her chair, scolding me.
I believed my friends would always be waiting at the road with bad ideas.
I believed Mali would always sit beside me under temple trees.
I believed my mother would come home one day and finally stay.
I even believed, in a small hidden place inside me, that my father might remember he had a son.
Children believe many impossible things.
Not because they are stupid.
Because no one has broken the world in front of them yet.
When I think about that time now, the memories come in pieces.
Sun on my neck.
Paint under my fingernails.
Grandma’s trembling hand.
Mali’s laugh.
A broken bicycle in a ditch.
A temple bell.
The smell of rain on dirt.
My friends shouting my name.
A house that was poor, but warm.
A life that was incomplete, but still mine.
I didn’t know I was happy.
That is the cruelest thing about childhood.
You never know you are living inside something precious until the world reaches in and takes it from you.
And when it does, nobody warns you.
Nobody says, Remember this. This is the last normal day.
Nobody says, Hold her hand longer.
Nobody says, Ask your grandmother one more question.
Nobody says, Look at your friends carefully, because one day their faces will blur and you will hate yourself for forgetting the exact sound of their voices.
Nobody says any of that.
Life just keeps moving.
A motorbike passes.
A dog barks.
Rain starts falling somewhere beyond the fields.
And a boy with black wavy hair runs barefoot down a dirt road, laughing, not knowing that one day he will cross an ocean and spend years trying to find his way back to the person he was before he learned how much leaving could hurt.